Hooking
on February 16, 2006
Periodically, discussions on writers loops come around to hooking an agent . . . or an editor . . . or a reader. The “high-concept” premise is thrown out as something to aspire to: explain your story in 25 words or less using ideas and images readily understood by the average buyer. But when it comes down to the actual book–and getting readers invested into the story–it’s the first couple pages that often make the difference. Sol Stein said in Stein on Writing: Some years ago I was involved in an informal study of the behavior of lunch-hour browsers in… Read More